Engaged Scholar Faculty and Community Fellows Program
In 2015, the CSC launched its Engaged Scholar Faculty and Community Fellows Program. The Fellows Program represents a powerful initiative to formally train faculty and community partners in CBL best practices. It pairs JHU faculty with leaders from area non-profits to co-teach a Community-Based Learning course. The program will also help foster a growing network of scholars at JHU who possess a broader knowledge of CBL. By encouraging a greater role for CBL at JHU, we are working to help give community members a greater voice in campus life and to bridge the campus with the surrounding community. Consider joining this program and continue reading more below!
How to Become a Faculty Fellow
As an Engaged Scholar Faculty Fellow, you will receive the following:
- Formal training in principles and best practices of Community-Based Learning
- Title of “Engaged Scholar Faculty Fellow”
- A stipend that can be used at your discretion
Once accepted into the program, Fellows are required to meet the program requirements listed below.
- Participate in a two-day training to be held during the beginning of August.
- Offer a CBL course spring semester; the course may be offered in any discipline, but must embody one or more of the CSC’s civic values or competencies.
- Attend evening cohort sessions, to be held once a month
- Encourage students from your courses to submit dissemination products for a closing reception in May
Become a Faculty Fellow
The Fellows Program is an application based program. Accepted Fellows will be contacted by the CSC to talk more about a potential Community Fellow and can help identify a community fellow if needed. Once identified and approved by the CSC, the Community Fellow will be invited to complete a Community Fellow Information Sheet.
Application Process and Procedures
We are currently recruiting for the 2019-2020 Engaged Scholar Faculty and Community Fellows Program cohort. The application is open and will close March 29, 2019.
Engaged Scholar Faculty and Community Fellows Cohort
The Center for Social Concern’s Engaged Scholar Faculty and Community Fellows Program pairs JHU faculty with staff and activists from community-based organizations to co-design and co-teach a spring semester Community-Based Learning course. Below are our Engaged Scholar Faculty Katharine Noel. Read more to learn about our involved faculty and community fellows.
Dr. Kali-Ahset Amen
Dr. Kali-Ahset Amen is an interdisciplinary social scientist, exhibition curator, and organizational strategist. Her scholarship and intellectual activism focus on racism, black subjectivities, and urban inequalities in Central America and the U.S. South. She is an assistant research professor of Sociology and the associate director of the Billie Holiday Project for Liberation Arts at Johns Hopkins University. She has published journal articles and policy papers, and is an associate editor of City & Community, the urban section journal of the American Sociological Association. Other editorial projects include the Journal of Urban Affairs’ special issue “Black Meccas of the South,” forthcoming in Fall 2019. The museum sector is another domain under Kali-Ahset’s purview. As an independent curator, she collaborates with cultural and educational institutions to produce public history programs and exhibitions exploring Africana experience.
Beyond the academy, Kali-Ahset coordinates grassroots educational initiatives designed to enhance people’s capacity to understand, analyze, and transform the systems of inequality that affect their lives. Related to this work, she serves as a program director for Humanity in Action, an international non-profit organization that provides political training to social justice activists from the U.S. and Europe. From 2008 to 2015, Kali-Ahset reached broadcast audiences as an award-winning public affairs journalist on Atlanta’s Pacifica network affiliate WRFG 89.3 FM. Her community radio programming, anchored in anti-oppression pedagogy, has been honored by the Atlanta Press Club, the Atlanta Association of Black Journalists, the Broadcast Education Association, and the National Alliance for Women in Media.
Anand Pandian teaches in the anthropology department at Johns Hopkins University. His research and writing focus on relationships between people and the environment, oriented toward a wider public audience. Together with other colleagues on the Homewood campus, he is launching a new initiative on ecological design that will involve teaching, research, and community work in Baltimore. He lives with his family in Wyman Park, across the Stony Run from the university.
Dr. Joseph Plaster
Dr. Joseph Plaster is Curator in Public Humanities for the Sheridan Libraries and University Museums and an Assistant Research Scholar at the Alexander Grass Humanities Institute. His research and teaching focuses on collaborative public humanities, performance studies, oral history, and queer studies. Plaster completed his PhD in American Studies at Yale University. His dissertation explores the social trauma inflicted on queer, marginally housed youth in U.S. “tenderloin” districts and the ways they work to transform those brutal realities through religious ritual, performative storytelling, novel kinship networks, and the arts. His work has appeared in Radical History Review and has been supported by grants from the National Endowment for the Humanities and fellowships at The New York Public Library and The Graduate Center of the City University of New York. In 2010, Plaster was awarded the American Historical Association’s Allan Bérubé Prize for outstanding work in public history.
As Curator in Public Humanities, Plaster conducts original research at archives and museums across Johns Hopkins University and interprets those collections for the university community and the public through public humanities programs, oral history projects, courses, and other collections-based innovations. His first large-scale project is the Peabody Ballroom Experience, a collaboration with Baltimore’s ballroom community, a performance-based art culture comprising gay, lesbian, trans, and gender non-conforming people of color.
Robbie Shilliam researches the political and intellectual complicities of colonialism and race in the global order. He is co-editor of the Rowman & Littlefield book series, Kilombo: International Relations and Colonial Question. Robbie was a co-founder of the Colonial/Postcolonial/Decolonial working group of the British International Studies Association and is a long-standing active member of the Global Development section of the International Studies Association. Over the past six years, Robbie has co-curated with community intellectuals and elders a series of exhibitions–in Ethiopia, Jamaica and the UK–which have brought to light the histories and significance of the Rastafari movement for contemporary politics. Based on original, primary research in British imperial and postcolonial history, this work now enjoys an online presence as a teaching aid: www.rastafari-in-motion.org
Currently, Robbie is working on three strands of inquiry: firstly, a re-reading of classical political economy through its intimate relationship to Atlantic slavery, with a bearing towards contemporary controversies regarding “social conservatism”; secondly, a retrieval of Ethiopianism as a critical orientation towards global order, especially in terms of its cultivation of a tradition of anti-colonial anti-fascism from the 1930s onwards; and thirdly, South-South anti-colonial connections, especially between peoples of the African Diaspora and indigenous movements.
Robbie will be working closely with community fellows: Wayne A. Rose and John “Jake” Homiak.
Wayne A. Rose
Lead Community Fellow
Michael Reese is the Associate Dean & Director at the Johns Hopkins Center for Educational Resources with a faculty appointment in sociology. Dr. Reese believes deeply in the power of community-based learning assignments to motivate students through authentic assignments that engage the community. His CBL assignments led to student publications in The Baltimore Sun and the Out of the Blocks oral history project. Collaborative projects also engaged the Digital Harbor Foundation and Real News Network.
Dr. Reese earned a Ph.D. in sociology from Johns Hopkins University. His dissertation modeled how educational innovations diffused in higher education. He also earned an M.Ed. in educational technology from the University of Virginia and a B.S. in electrical engineering at Virginia Tech, where he was named the Paul E. Torgersen Leadership Scholar by his peers. The Timeline Creator software he developed with students was awarded 1st place in Macromedia’s National Innovation Award for Higher Education.
Katharine Noel is a novelist and a senior lecturer in the Writing Seminars department. Prior to coming to Johns Hopkins, she was the Writer in Residence at Claremont McKenna College, the Jones Lecturer at Stanford University, and a Stegner Fellow at Stanford. She also worked for two years at Gould Farm, a program in the Berkshire Mountains for adults with mental illnesses, and for four years as the director of children’s services at a shelter for homeless women and children. She is the author of two novels, Halfway House and Meantime.
Organization: Writer’s in Baltimore Schools
Patrice is Director of Writers in Baltimore Schools, which she founded with an Open Society Institute Baltimore Community Fellowship in 2008. Her fiction and nonfiction appear in Tin House Flash Fridays, Ploughshares blog, Gulf Stream Magazine, Public Books, Prime Number Magazine, and elsewhere. She has a BA and MA from Johns Hopkins University.
Organization: Writer’s in Baltimore Schools
Jennifer Kingsley is an art historian specializing in the European Middle Ages with an emphasis on the period from about 800 to 1200. She earned her doctorate in the history of art from the Johns Hopkins University in 2007 and joined the Program in Museums and Society in 2011, after teaching as a post-doctoral fellow at Columbia University and as a visiting assistant professor at Oberlin College. She has also worked in various capacities in museum education and in curation at the Brooklyn Museum of Art, the Cloisters, the medieval branch of the Metropolitan Museum of Art, and the Walters Art Museum. She was field editor for exhibition reviews at caa.reviews from 2012-2015 and serves on several committees and juries for the arts and for exhibitions here at Hopkins. She has published on diverse topics from the ways in which medieval objects contribute to discussions about the role and status of images through their imagery and materials to the artistic innovations associated with the new class of wealthy and powerful episcopal patrons that emerged in Germany around the millennium; on a range of artworks from manuscripts to ivories; and on the connected cultural milieus of Ottonian Germany, Anglo-Saxon England, and northern Italy. Her current research follows two paths. The first revolves around early medieval sensescapes, and the second considers the historiography of medieval art history, with particular attention to the role of museums in shaping distinct fields within medieval studies. The courses she teaches for the Program in Museums and Society consider museums from a variety of perspectives to understand their role in societies past and present, particularly as sites of knowledge production. She places particular emphasis on how to read the museum as a primary source and how to analyze its institutional practices.
Eric Rice coordinates the Masters of Science, Educational Studies program, conducts research about teacher-led charter schools, and teaches about Urban School Reform and Culturally Responsive Education. He also teaches in the EdD program and is designing an Urban Leadership specialization for this program. Dr. Rice also leads an international exchange program focused on education and public health in Uganda and Baltimore. He is active in the field of school reform in Baltimore, and he sits on the board of the Baltimore Teacher Network, operator of two Baltimore City charter schools. Trained as a cultural anthropologist at Johns Hopkins, Dr. Rice is an Associate Director at the JHU Urban Health Institute, where he provides leadership for the UHI’s Small Grants Program and co-represents the UHI’s Schools and Health Initiatives.
D. Watkins is a columnist for Salon. His work has been published in the New York Times, Guardian, Rolling Stone, and other publications. He holds a master’s in Education from Johns Hopkins University and an MFA in Creative Writing from the University of Baltimore. He is a college professor at the University of Baltimore and founder of the BMORE Writers Project. Watkins has been the recipient of numerous awards including Ford’s Men of Courage and a BME Fellowship. Watkins is from and lives in East Baltimore. He is the author of The Cook Up: A Crack Rock Memoir and The Beast Side: Living (and Dying) While Black in America.
Organization: BMORE Writer’s Project
David Yezzi’s books of poetry include Azores (Swallow Press), a Slate magazine best book of the year, and, most recently, Birds of the Air (Carnegie Mellon). He is the editor of The Swallow Anthology of New American Poets, foreword by J. D. McClatchy. His libretto for David Conte’s opera Firebird Motel has been performed widely and was issued on CD in 2007. His verse plays One the Rocks and Dirty Dan & Other Travesties were produced by Verse Theater Manhattan at the Bowery Poetry Club. A former director of the Unterberg Poetry Center of the 92nd Street Y in New York, he has worked as the executive editor of The New Criterion and associate editor of Parnassus: Poetry in Review.
AS.220.438 Readings in Poetry: “Of Late” – Poetry & Social Justice
Dora Malech is an Assistant Professor of Poetry in The Writing Seminars department at the Krieger School of Arts & Sciences. Malech’s “Readings in Poetry: ‘Of Late’ – Poetry & Social Justice” will allow students to explore poetry as “a way of happening,” an engagement as individuals within and across communities. Students will immerse themselves in the ways that poets in America and across the world have navigated their poetic practice and their social concerns through political poetry, civic poetry, public poetry, poetry of witness, and literature of social import. This course will engage in community-based learning through a partnership with Writers in Baltimore Schools, a community partner that has also been grappling with questions of poetry and social justice through its work with Baltimore youth and events.
AS.230.355 Homelessness, Vacants, and the Right to Housing
Daniel Pasciuti is a comparative-historical sociologist and assistant research scientist at the Arrighi Center for Global Studies. Paciuti’s “Homelessness, Vacants and the Right to Housing” is a community-based learning course, which will collaborate with Housing Our Neighbors, a local organization comprised of people experiencing homelessness, allies and advocates promoting the human right to housing to examine and engage the vacant housing crisis in Baltimore. Students will be expected to participate in organizing and attending community sessions. Students will also provide ongoing research into the Baltimore vacant property market that ultimately seeks to transform housing into a right for all people.
AS.190.360 Power and Democracy in the American City
Lester Spence is an associate professor of political science and African studies. Spence’s “Power and Democracy in the American City” will examine the ways in which race and class intersect to shape how democracy works in our nation’s cities. In this innovative course, students will learn about urban citizenship, authority, and activism using Baltimore as its case study. The class will be co-led with Jessica Lewis from the Right to Housing Alliance and will use a community-based learning approach.