Engaged Scholar Faculty and Community Partner Fellows Program

Homayra Ziad is a scholar-activist, educator and writer, and Director of the Program in Islamic Studies at Johns Hopkins University. After receiving a doctorate in Islamic Studies from Yale, she was Assistant Professor of Religion at Trinity College in Hartford. She then spearheaded education on Islam and engagement with Muslim communities at an interfaith educational non-profit in Baltimore (the Institute of Islamic, Christian and Jewish Studies), where she helped teachers, activists and emerging religious leaders explore the intersections of religion and social justice.

Homayra believes deeply in the pedagogy of community-engaged learning and serves on the project team of Art, Religion and Cities, a Morgan State initiative that explores the display of religious art in museums to engage critical questions of race, justice, and community, and connects students to internship opportunities at cultural institutions. Homayra has fifteen years of experience in interreligious education and programming and was founding co-chair of the American Academy of Religion’s Interreligious and Interfaith Studies Group. She is co-editor of Words to Live By: Sacred Sources for Interreligious Engagement (Orbis Press, 2018). She has written for many academic and popular venues, and consulted and created programs for film and media. Homayra is the Board President of the ACLU of Maryland.

Dr. Nusaybah Abu-Mulaweh is a faculty member in the Multidisciplinary Design Program within the Center for Leadership Education at Johns Hopkins. She teaches design courses that apply a human-centered approach that focuses on grounding designs in the needs of users throughout the entire design process.

Before joining Hopkins, she earned her BS and MS in electrical and computer engineering, and her PhD in engineering education from Purdue University. Dr. Abu-Mulaweh also taught in the EPICS Program, a large multidisciplinary community-engaged design program at Purdue University. She mentored multidisciplinary teams who worked with community partners through a human-centered design process. Working with community partners and yearning to enhance the understanding of others while working on design challenges inspired her dissertation, which focused on empathy development for undergraduate engineering students in community-engaged design courses.

Her research continues to focus on empathy in engineering, and she is very passionate about integrating empathy development in engineering at Hopkins to foster a more inclusive culture in which students learn to respond innovatively and responsibly to global challenges.

Anne-Elizabeth Brodsky teaches in the University Writing Program, where her courses center on American education, race, literature, and friendship. She is co-founder and faculty director of the Common Question.

Anne-Elizabeth served as co-chair of the Women Faculty Forum from 2016-19 and as a member of the Johns Hopkins Diversity Leadership Council from 2010-16. She collaborates with the JUMP & Hop-In programs and the Center for Teaching Excellence and Innovation and is a member of the Baltimore Scholars Steering Committee, a lapsed violinist in the Hopkins Symphony Orchestra, and a Baltimore City Public Schools parent.

Before joining the Hopkins faculty, Anne-Elizabeth was a senior program manager at the JHU Center for Talented Youth, where she ran summer programs for academically talented students in grades 2-9 and oversaw curriculum development. She has taught at the City Colleges of Chicago and Ida Crown Jewish Academy. Her dissertation, Teach the Nation: Pedagogies of Racial Uplift in US Women’s Writing of the 1890s, was published by Routledge in 2003.

Matthew Pavesich is Director and Teaching Professor of the University Writing Program. He specializes in writing and rhetoric, pedagogy, and the public humanities. His current projects include a large-scale study of self-sponsored writing, or what people write beyond the requirements of work or school; and DC/Adapters, a photographic archive of visual rhetoric in Washington, D.C. He also serves on a national committee devoted to the cultivation of public humanities with the Rhetoric Society of America and on the editorial board of the Journal of Basic Writing.

Before joining the faculty at Hopkins in 2021, Pavesich taught for ten years at Georgetown University, where he received the Provost’s Innovation in Teaching Award in 2020. His courses include innovative models for first-year writing and rhetoric, collaborative teaching in the disciplines, and graduate courses in the teaching of writing and the public and digital humanities; many of these courses connected with local communities in different ways. His work has appeared in enculturation, the WAC Journal, Technoculture, The Journal of Basic Writing, and several edited volumes. Pavesich completed his doctoral work in English (2009), specializing in rhetoric at the University of Illinois-Chicago. Learn more at matthewpavesich.me.

Lisa E. Wright is a Lecturer in the University Writing Program. Her research interests and courses center on Black maternal health, with a particular focus on Black midwives.

Lisa is working on a manuscript “The Ring of Fire: A Memoir” which chronicles her home births with her midhusband. It further examines Black women’s birthing choices, with a particular focus on the de-legitimization of Black midwives, and on creating safe birthing spaces inside and outside medical institutions.

Prior to joining Hopkins, Wright co-founded the Talking Justice Project, an interactive workshop that teaches antiracist strategies for writing center consultants and teachers. Using antiracist pedagogy and inclusive writing center pedagogy, they provided attendees with strategies to address problematic ideas while also maintaining a learning environment. Her current project intersects faith and religious identities in our writing spaces. The co-edited collection The Politics of Faith and Secularism in Writing Centers and Writing Studies is under review at Utah State University Press.

Lisa was born and raised in Baltimore, Maryland. She holds a B.A. in English from Coppin State University and an M.A. from The Ohio State University in African and African American studies. Lisa completed her doctoral work at Oklahoma State University in English, specializing in Creative Writing Nonfiction and Black feminist literature. Her work has appeared in College English, The Writing Center Journal, Praxis, Axis, and Hippocampus Magazine.

Nadejda I. Webb (she/her/they) is currently an ACLS Emerging Voices Postdoctoral Fellow in Black Digital Humanities at the Johns Hopkins University, where her teaching and research interests include 20th and 21st-century African-American and Post-Colonial literature and digital humanities, imaginaries, and belonging. In 2024, she will be the incoming Assistant Director of LifexCode: Digital Humanities Against Enclosure and a Visiting Assistant Professor in the Center for Digital Humanities.

In her first year at JHU, she initiated the “We Live Language” (WLL) lab in Black Beyond Data, a Computational Humanities and Social Sciences ecosystem, and co-organized the 2023 Keystone DH conference. WLL is grounded in the writing and spoken word of Afro-diasporic poets, authors, and philosophers and probes the relationship between language and power. In addition to WLL, she is revising her book manuscript, Reckoning: Visual Narratives and Truth-Making, which examines the relationship between new media platforms, self-making, and anti-black racial fictions.

She complements her academic research interests with deep community investments. In addition to working with New Generation Scholars and African Diaspora Alliance, two Baltimore-area community programs while at JHU, she has created curricula for and taught in the CUNY Pipeline Program. The CUNY Pipeline Program was founded 32 years ago to assist Black and Brown undergraduate CUNY students in navigating their graduate school application processes and journeys. She is an incoming 2023-24 Center for Social Concern’s Engaged Scholar Faculty Fellow, which will support her in co-teaching an undergraduate course with a Baltimore community partner.

Webb’s research has been supported by the Andrew W. Mellon Foundation, the Social Science Research Council, Columbia University’s Center for Oral History, the USC Annenberg School for Communication and Journalism, and Vanderbilt University. She received her joint-Ph.D. in English and Comparative Media Analysis and Practice from Vanderbilt and her BA in English Language and Literature from CUNY Hunter College.

Thomas K.M. Cudjoe, M.D., M.P.H., M.A. is the Robert and Jane Meyerhoff Endowed Professor, Assistant Professor of Geriatric Medicine and Gerontology at the Johns Hopkins School of Medicine. He leverages community-based strategies, mixed-methods and human centered design to understand and address social isolation. Additionally, he has led studies that examined the prevalence of social isolation among older adults and associations between social isolation and health outcomes. Dr. Cudjoe also serves on the Scientific Advisory Council for the Foundation for Social Connection. His work has been featured in the New York Times, Wall Street Journal, NPR, and on Good Morning America.

Daniel Cumming is a historian of the 20th-century U.S. and a postdoctoral fellow with the Program in Racism, Immigration, and Citizenship at Johns Hopkins University. His scholarship explores the intersections of housing policy, public health, environmental justice, racial capitalism, and metropolitan history. A recent Ph.D. from New York University, Cumming is writing a book that examines the transformation of racial inequality through the rise of academic medical institutions in 20th-century Baltimore. During the academic year 2022-23, Cumming was a research scholar with Columbia University’s Ira A. Lipman Center for Journalism and Civil and Human Rights, and he previously held fellowships with the Jefferson Scholars Foundation, the Hagley Museum and Library, the National Library of Medicine, and the Maryland Center for History and Culture. He is a former high school teacher at Carver Vocational-Technical High School in Baltimore City.

Nate Brown is a writer and editor who holds a BA in English from Cornell University (2004) and an MFA in fiction from the University of Wisconsin-Madison (2008). He began his publishing career at Random House in 2004, and was the founding book page editor of the Brooklyn-based digest, The L Magazine, where he edited reviews and the annual summer fiction issue from 2006-2012. From 2012-2014, he was the Deputy Director of the PEN/Faulkner Foundation in Washington, DC, and he is currently a board member of Writers in Baltimore Schools, a nonprofit dedicated to supporting student writers in Baltimore City.

Currently, he is the managing editor of the award-winning, Austin-based literary magazine American Short Fiction, and he has taught creative writing and composition at the University of Wisconsin, through the International Writing Program at the University of Iowa, at the George Washington University, Georgetown, and elsewhere.

His areas of interest and research include equity and access in literary publishing, visual rhetoric and writing about art, community-based learning, and sustainability in the nonprofit arts space. Learn more at: https://nate-brown.com/

Morris “Mo” Speller teaches in the University Writing Program. His writing courses encourage students to think about how the past informs present-day life in Baltimore. Before becoming a lecturer in the University Writing Program, Mo completed his PhD in History at Hopkins in 2020. He previously taught history courses at Johns Hopkins, Maryland Institute and College of Art (MICA), and at the University of Maryland, Baltimore County (UMBC).

Mo’s primary research examines the history of mortgage discrimination, predatory lending, racial segregation, and housing policy in his hometown of St. Louis. His other research interests include the history of queer communities and “gayborhood” politics in Baltimore and the history of Baltimore neighborhoods displaced by urban renewal. Mo is also on the Board of the Society of American City and Regional Planning Historians, where he serves on the Communications Committee.

(AS.362.128)

(EN.660.392)

Course Description

In this course, multidisciplinary teams of students will collaborate with a Baltimore community partner to tackle a design challenge that addresses an issue of injustice. You will first learn about the history and current context surrounding the design challenge before diving into responsible co-design with the community partner to create sustainable and adoptable solutions. You will ideate solutions, prototype design concepts, and test them with end users.

You will be asked to move outside your comfort zone as you dive into new ways of thinking, reflecting, and learning. Through a social change orientation, we will work to understand positionality, analyze the interplay of power, privilege, and oppression, and critically reflect on its impact on design practice. We hope you leave confident in your ability to be creative, human-centered, and an agent of social change.

Community Partner and Design Challenge Description

We will be working with J.C. Faulk, the founder of An End To Ignorance in Baltimore, which is a community-driven initiative dedicated to fostering education, awareness, and inclusivity. Through collaborative efforts, it seeks to tackle ignorance by promoting open dialogue, encouraging learning, and embracing diversity to create a more informed and empathetic society within the Baltimore area. The initiative’s Bmore Community Food Program stands as a pillar within this mission by addressing food insecurity.

In collaboration with J.C. and the Bmore Community Food group, student teams will be challenged to design and build a seamless food distribution device and system that can offer sustenance to individuals at any hour. The goal of the distribution system is to break down stereotypes of people experiencing food insecurity and instead empower, unite, and build resilience in Baltimore against hunger and social challenges. This challenge will require the skills of all types of engineering and A&S majors.

(As.362.326) Tuesday and Thursday, 3:00-4:14pm

This course offers a hands-on opportunity for students to develop new skills as community organizers by learning from the best teachers possible: residents who have been serving their neighborhoods and building grassroots power in Southwest Baltimore since the 1990s. As a community-based learning course partnered with the Center for Social Concern, and co-taught by professors, archivists, cultural curators, and longtime residents, including the founder of Fayette Street Outreach, Ms. Edna Manns-Lake, this course will leverage the narrative power of storytelling to help rewrite a multigenerational history of community organizing in a part of the city long neglected by local government and threatened by open-air drug markets, criminalization, and housing speculators. Through community immersion, including story circles, oral histories, community archiving, local meetings, and guest presentations, students will learn how to navigate, identify, and build upon neighborhood assets. Students will then collaborate with a community partner to co-design and complete a neighborhood project by the end of the semester. Dispelling myths, learning truths, documenting history, and honoring decades of struggle in the face of massive odds, students will help re-write the narrative of Southwest Baltimore, centering humanity and resilience among resident-activists who stayed and fought for their community.

Co Instructors:

Edna Manns-Lake – Fayette Street Outreach, Jeneanne Collins – M.F.A., Tonika Berkley – M.A., Daniel Cumming – Ph.D.

In 1994, 12 Black women coined the term Reproductive Justice. Its tenets are 1) the right to have children; 2) the right not to have children; and 3) the right to parent children in safe and healthy environments, free from violence by individuals or the state. Advocates suggest Reproductive Justice requires us to create holistic and transformative conditions for people to have access and full provision to make the best decisions for their lives. In this community-based course, students will engage with The Bloom Collective, a perinatal space in Baltimore focused on providing holistic care, support, and services advancing Reproductive Justice. The course co-educator and director of the Bloom Collective, Tanay Lynn Harris will share her lived experiences of advocating for Reproductive Justice in Baltimore, and guide students in exploring the interconnectedness of Reproductive Justice throughout our everyday lives to reflect on the many ways it shows up in Baltimore City and beyond. Students will write in various genres with varying audiences in the Black maternal health field. This course will culminate with a community gathering that celebrates Black Maternal Health Week where students will have opportunities to listen to members of the Reproductive Justice community and present their research to an audience of their peers.

Community Partner: Bloom Collective

In 1988, Baltimore’s first African-American mayor, Kurt Schmoke, declared Baltimore the “city that reads.” In this course, we’ll explore the ways that Baltimore has always been a city that writes, too. In partnership with Wide Angle Youth Media (https://www.wideanglemedia.org), an organization dedicated to “cultivating and amplifying the voices of Baltimore youth through the media arts,” we’ll study how writing fuels the work of the organization, interacts with the residents of Baltimore, and knits together social life in this great city. At the same time we will name, and cultivate, the many ways and reasons to write: to connect with loved ones and the wider world, learn new knowledge and skills, solve problems, and make things happen in the world. Students can expect to write both traditional academic essays and in other forms such as presentations, proposals, case studies, social media campaigns, and more. Many thanks to the Center for Social Concern for its support of our WAYM partnership.

(AS.004.101 (12)) T 1:30PM – 4:00PM and (AS.004.101 (13)) TH 1:30pm-4pm.

How might we write the stories of neighborhoods that no longer exist? In this community-engaged writing course, students will work closely with the Baltimore City Archives to uncover the stories of people who lived in neighborhoods demolished by the Housing Authority of Baltimore City between the 1930s and 1960s. We will examine documents that the Housing Authority generated while acquiring homes for demolition— photographs, appraisal forms, court affidavits, and more—to consider the way these forms of writing impacted the lives of Baltimoreans facing displacement. In the process students will learn strategies for reading mundane, bureaucratic, and even dehumanizing sources against the grain, to find glimpses of the vibrant lives and everyday struggles of ordinary Baltimoreans. Students will critically reflect on the range of texts that they encounter and generate in their own lives as they build an awareness of the many writing decisions and rhetorical strategies they already bring to our work in the classroom. Working in a variety of modes and genres, students will write for both academic and public audiences. The course culminates with a collaboration with local archives and museums: students will research and create texts for a public exhibit on the history of Baltimore neighborhoods that have been lost to urban renewal, gentrification, and other forms of displacement.

Can youth orchestras fortify a city? What, if anything, does kids making music or art have to do with democratic practice? What happens when we press on the terms play and listen in the contexts of childhood and of neighborhood, city, or country? In this community-engaged course, we will study, experiment with, and rethink writing – all in the context of local K-12 music education. Students will work with and learn from the Baltimore Symphony Orchestra OrchKids program. With these co-teachers, alongside mentors from the Center for Social Concern, we will explore El Sistema pedagogy, the assets of City Schools, and systemic racism and inequity in Baltimore. We will study and write about visual, aural and written texts found in different habitats, including OrchKids classrooms; Sheridan Libraries; Baltimore Museum of Art; Baltimore Banner; and what we see and hear in our everyday lives. In conversation with works by James Baldwin, Danielle Allen, Ada Limon, Judah Adashi, Vesla Weaver, and Jonathon Heyward, students will write critical reflections, personal narrative, academic argument, op-eds, and more. Throughout, we will discuss and rehearse writing as an intellectual, social, and always emerging practice. No artistic background needed; all are welcome. Many thanks to the Center for Social Concern for their support of this course.

(AS.004.351 (02))

In this collaborative, community-based learning course, students will work directly with the staff and volunteers of the Station North Tool Library, Baltimore’s decade-old tool-lending library. Together, we’ll seek to learn more about libraries of things as we study Baltimore’s housing ecosystem and related development and zoning policies. We’ll also work to understand how libraries of things and makerspaces across the country aim to empower individuals to undertake building and maintenance projects of their own. Students will engage in qualitative research, perform interviews with and write profiles about various constituents and stakeholders at the SNTL, and seek to understand how community organizations like the Tool Library are founded, funded, and sustained over time.

Fellows included Dr. Gabrielle Dean, Dr. Victoria Harms, Dr. Andy Ross, Dr. Homayra Ziad

Dr. Kali-Ashet Amen

Dr. Kali-Ahset Amen is an interdisciplinary social scientist, exhibition curator, and organizational strategist. Her scholarship and intellectual activism focus on racism, black subjectivities, and urban inequalities in Central America and the U.S. South.

She is an assistant research professor of Sociology and the associate director of the Billie Holiday Project for Liberation Arts at Johns Hopkins University. She has published journal articles and policy papers, and is an associate editor of City & Community, the urban section journal of the American Sociological Association.

Other editorial projects include the Journal of Urban Affairs’ special issue “Black Meccas of the South,” forthcoming in Fall 2019. The museum sector is another domain under Kali-Ahset’s purview. As an independent curator, she collaborates with cultural and educational institutions to produce public history programs and exhibitions exploring Africana experience.

Beyond the academy, Kali-Ahset coordinates grassroots educational initiatives designed to enhance people’s capacity to understand, analyze, and transform the systems of inequality that affect their lives. Related to this work, she serves as a program director for Humanity in Action, an international non-profit organization that provides political training to social justice activists from the U.S. and Europe.

From 2008 to 2015, Kali-Ahset reached broadcast audiences as an award-winning public affairs journalist on Atlanta’s Pacifica network affiliate WRFG 89.3 FM. In addition, her community radio programming, anchored in anti-oppression pedagogy, has been honored by the Atlanta Press Club, the Atlanta Association of Black Journalists, the Broadcast Education Association, and the National Alliance for Women in Media.

Anand Pandian

Anand Pandian teaches in the anthropology department at Johns Hopkins University. His research and writing focus on relationships between people and the environment, oriented toward a wider public audience. Together with other colleagues on the Homewood campus, he is launching a new initiative on ecological design that will involve teaching, research, and community work in Baltimore. Alongside this, he lives with his family in Wyman Park, across the Stony Run from the university.

Dr. Joseph Plaster

Dr. Joseph Plaster is Curator in Public Humanities for the Sheridan Libraries and University Museums and an Assistant Research Scholar at the Alexander Grass Humanities Institute. His research and teaching focuses on collaborative public humanities, performance studies, oral history, and queer studies. Plaster completed his PhD in American Studies at Yale University.

His dissertation explores the social trauma inflicted on queer, marginally housed youth in U.S. “tenderloin” districts and the ways they work to transform those brutal realities through religious ritual, performative storytelling, novel kinship networks, and the arts. His work has appeared in Radical History Review and has been supported by grants from the National Endowment for the Humanities and fellowships at The New York Public Library and The Graduate Center of the City University of New York. In addition, in 2010, Plaster was awarded the American Historical Association’s Allan Bérubé Prize for outstanding work in public history.

As Curator in Public Humanities, Plaster conducts original research at archives and museums across Johns Hopkins University and interprets those collections for the university community and the public through public humanities programs, oral history projects, courses, and other collections-based innovations. His first large-scale project is the Peabody Ballroom Experience, a collaboration with Baltimore’s ballroom community, a performance-based art culture comprising gay, lesbian, trans, and gender non-conforming people of color.

Robbie Shilliam

Robbie Shilliam researches the political and intellectual complicities of colonialism and race in the global order. He is co-editor of the Rowman & Littlefield book series, Kilombo: International Relations and Colonial Question. Robbie was a co-founder of the Colonial/Postcolonial/Decolonial working group of the British International Studies Association and is a long-standing active member of the Global Development section of the International Studies Association.

Over the past six years, Robbie has co-curated with community intellectuals and elders a series of exhibitions–in Ethiopia, Jamaica and the UK–which have brought to light the histories and significance of the Rastafari movement for contemporary politics. Based on original, primary research in British imperial and postcolonial history, this work now enjoys an online presence as a teaching aid.

Currently, Robbie is working on three strands of inquiry: firstly, a re-reading of classical political economy through its intimate relationship to Atlantic slavery, with a bearing towards contemporary controversies regarding “social conservatism”; secondly, a retrieval of Ethiopianism as a critical orientation towards global order, especially in terms of its cultivation of a tradition of anti-colonial anti-fascism from the 1930s onwards; and thirdly, South-South anti-colonial connections, especially between peoples of the African Diaspora and indigenous movements.

Finally, Robbie will be working closely with community fellows: Wayne A. Rose and John “Jake” Homiak.

Michael Reese

Michael Reese is the Associate Dean & Director at the Johns Hopkins Center for Educational Resources with a faculty appointment in sociology. Dr. Reese believes deeply in the power of community-based learning assignments to motivate students through authentic assignments that engage the community. His CBL assignments led to student publications in The Baltimore Sun and the Out of the Blocks oral history project. Collaborative projects also engaged the Digital Harbor Foundation and Real News Network.

In addition, Dr. Reese earned a Ph.D. in sociology from Johns Hopkins University. His dissertation modeled how educational innovations diffused in higher education. He also earned an M.Ed. in educational technology from the University of Virginia and a B.S. in electrical engineering at Virginia Tech, where he was named the Paul E. Torgersen Leadership Scholar by his peers. The Timeline Creator software he developed with students was awarded 1st place in Macromedia’s National Innovation Award for Higher Education.

Katharine Noel

Katharine Noel is a novelist and a senior lecturer in the Writing Seminars department. Prior to coming to Johns Hopkins, she was the Writer in Residence at Claremont McKenna College, the Jones Lecturer at Stanford University, and a Stegner Fellow at Stanford. She also worked for two years at Gould Farm, a program in the Berkshire Mountains for adults with mental illnesses, and for four years as the director of children’s services at a shelter for homeless women and children. She is the author of two novels, Halfway House and Meantime.

Organization: Writer’s in Baltimore Schools

Patrice Hutton

Patrice is Director of Writers in Baltimore Schools, which she founded with an Open Society Institute Baltimore Community Fellowship in 2008. Her fiction and nonfiction appear in Tin House Flash Fridays, Ploughshares blog, Gulf Stream Magazine, Public Books, Prime Number Magazine, and elsewhere. She has a BA and MA from Johns Hopkins University.

Organization: Writer’s in Baltimore Schools

Jennifer Kingsley

Jennifer Kingsley is an art historian specializing in the European Middle Ages with an emphasis on the period from about 800 to 1200. She earned her doctorate in the history of art from the Johns Hopkins University in 2007. Kingsley joined the Program in Museums and Society in 2011. Jennifer has also worked in various capacities in museum education and in curation at the Brooklyn Museum of Art, the Cloisters, the medieval branch of the Metropolitan Museum of Art, and the Walters Art Museum. She was field editor for exhibition reviews at caa.reviews from 2012-2015. Jennifer serves on several committees and juries for the arts and for exhibitions here at Hopkins.

Jennifer has published on diverse topics. This includes the ways in which medieval objects contribute to the role and status of images through their imagery and materials.

Her current research follows two paths. The first revolves around early medieval sensescapes, and the second considers the historiography of medieval art history. The latter has particular attention to the role of museums in shaping distinct fields within medieval studies.

Finally, the Program in Museums and Society consider museums from a variety of perspectives. This includes their role in societies, particularly as sites of knowledge production. She places emphasis on reading the museum as a primary source and how to analyze its institutional practices.

Eric Rice

Eric Rice coordinates the Masters of Science, Educational Studies program and conducts research about teacher-led charter schools. He teaches about Urban School Reform and Culturally Responsive Education. Eric also teaches in the EdD program and is designing an Urban Leadership specialization for this program. Dr. Rice also leads an international exchange program focused on education and public health in Uganda and Baltimore.

Alongside this, he is active in the field of school reform in Baltimore. Eric sits on the board of the Baltimore Teacher Network, operator of two Baltimore City charter schools. Trained as a cultural anthropologist at Johns Hopkins, Dr. Rice is an Associate Director at the JHU Urban Health Institute. Here, he provides leadership for the UHI’s Small Grants Program and co-represents the UHI’s Schools and Health Initiatives.

D. Watkins

Watkins is a columnist for Salon. His work has been published in the New York Times, Guardian, Rolling Stone, and other publications. He holds a master’s in Education from Johns Hopkins University. D also holds an MFA in Creative Writing from the University of Baltimore. He is a college professor at the University of Baltimore and founder of the BMORE Writers Project. Watkins has been the recipient of numerous awards including Ford’s Men of Courage and a BME Fellowship. Watkins is from and lives in East Baltimore. In addition, he is the author of The Cook Up: A Crack Rock Memoir and The Beast Side: Living (and Dying) While Black in America.

Organization: BMORE Writer’s Project

David Yezzi

David Yezzi’s books of poetry include Azores (Swallow Press), a Slate magazine best book of the year, and, most recently, Birds of the Air (Carnegie Mellon). He is the editor of The Swallow Anthology of New American Poets, foreword by J. D. McClatchy. His libretto for David Conte’s opera Firebird Motel has been performed widely and was issued on CD in 2007. His verse plays One the Rocks and Dirty Dan & Other Travesties were produced by Verse Theater Manhattan at the Bowery Poetry Club.

Additionally, Davis is a former director of the Unterberg Poetry Center of the 92nd Street Y in New York. He has worked as the executive editor of The New Criterion and associate editor of Parnassus: Poetry in Review.

Dora Malech

Dora Malech is an Assistant Professor of Poetry in The Writing Seminars department at the Krieger School of Arts & Sciences. Malech’s “Readings in Poetry: ‘Of Late’ – Poetry & Social Justice” will allow students to explore poetry as “a way of happening.” This engagement as individuals within and across communities. Students will immerse themselves in the ways that poets across the world have navigated their poetic practice.

Daniel Pasciuti

Daniel Pasciuti is a comparative-historical sociologist and assistant research scientist at the Arrighi Center for Global Studies. Paciuti’s “Homelessness, Vacants and the Right to Housing” will collaborate with Housing Our Neighbors. This is a local organization comprised of people experiencing homelessness, allies and advocates promoting the human right to housing. They examine and engage the vacant housing crisis in Baltimore.

Lester Spence

Lester Spence is an associate professor of political science and African studies. Spence’s “Power and Democracy in the American City” will examine how race and class intersect to shape how democracy works. In this innovative course, students will learn about urban citizenship, authority, and activism using Baltimore as its case study. The class will be co-led with Jessica Lewis from the Right to Housing Alliance.